LOT DETAILS

Materials:

tempera and gold ground on panel

Measurements:

32.01 in. (81.30 cm.) (height) by 20.24 in. (51.40 cm.) (width)

Exhibited:

Hartford, CT, Wadsworth Atheneum, An Exhibition of Italian Panels and Manuscripts from the Thirteenth and Fourteenth Centuries in Honor of Richard Offner, 9 April - 6 June 1965, no. 29.

Literature:

F. Zeri, "Angelo Puccinella a Siena," in Bolletino d'arte, vol. 49 (1964) pp. 234-235, reproduced p. 235; S.J. Wagstaff, Jr., "Hartford Glimpses the Pre-Renaissance," in Art News (May 1965) pp. 33-34; B. Berenson, Italian Pictures of the Renaissance: Central and North Italian Schools, New York 1968, vol. I, p. 349; A. Gonzalez-Palacios, "Posizione di Angelo Puccinelli," in Antichità Viva, vol. X (1971) pp. 3-9, reproduced p. 7, fig. 11; B. Fredericksen, Catalogue of the Paintings in The J. Paul Getty Museum, Malibu 1972, p. 5, no. 5; M. Boskovits, Pittura fiorentina alla vigilia del Rinascimento, Florence 1975, p. 247, under no. 235; Dizionario Enciclopedico Bolaffi dei pittori e degli incisori italiani, Turin 1975, p. 255; M. Laclotte, Inventaire des collections publiques françaises, 21: Avignon, Musée au Petit Palais. Peinture italienne, Paris 1976, under no. 206; P. Cerri, et. al., La Pittura in Italia: Il Duecento e il Trecento, 1985, vol. II, p. 655; M. Tazartes, "Profilo della pittura lucchese del Trecento," in Richerche di Storia dell'arte, vol. 50 (1993) p. 97; D. Jaffé, Summary Catalogue of European Paintings in The J. Paul Getty Museum, Los Angeles 1997, p. 101, reproduced; A. De Marchi, "Angelo Puccinelli," in Sumptuosa tabula picta: Pittori a Lucca tra gotico e rinascimento, Lucca 1998, exh. cat., Lucca, Museo Nazionale di Villa Guinigi, 28 March - 5 July 1998, pp. 152-153, reproduced p. 153, fig. 105; F. Boggi, "Painting in Lucca from the Libertà to the Signoria of Paolo Guinigi: Observations, Proposals and New Documents," in Arte Cristiana, vol. 87 (March-April 1999) pp. 106-107, reproduced p. 107, fig. 2, pp. 113-114 (note 20); M. Laclotte and E. Moench, Peinture italienne: Musée du Petit Palais, Avignon, Paris 2005, p. 180, under no. 235, reproduced fig. 1.

Provenance:

Marguerite A. Keasbey, Morristown, New Jersey, before 1961; Her deceased sale, New York, Parke-Bernet Galleries, Inc., 10 May 1961, lot 7 (As Veneto-Ferrarese School, 14th Century, SS. Catherine and Louis of Toulouse); With Frederick Mont, Inc., New York; From whom acquired by Thomas S. Hyland, Greenwich, CT, 1964; His sale, "Property of Mr. and Mrs. Thomas S. Hyland," London, Christie's, 23 June 1967, lot 66 (as Angelo Puccinelli, Saint Catherine of Alexandria and Saint Moses); Acquired by The J. Paul Getty Museum, Malibu, 1970.